The architectural structuring principle of the chambered floor plan is as simple as it is economical, yet it allows for spatial and combinatorial freedom that can be interpreted in ever-new, ever-different ways. The resulting self-contained units or spatial sequences are suited for residential purposes as much as for office buildings, museums or schools, with the floor plans pr...(展开全部)

The architectural structuring principle of the chambered floor plan is as simple as it is economical, yet it allows for spatial and combinatorial freedom that can be interpreted in ever-new, ever-different ways. The resulting self-contained units or spatial sequences are suited for residential purposes as much as for office buildings, museums or schools, with the floor plans pr...(展开全部)

Joram Lindenstrauss was born in Tel Aviv on October 28, 1936. He studied at the Hebrew University in Jerusalem, where he received his doctoral degree in 1962. He has been on the faculty of this institution ever since 1965.Lindenstrauss works in various areas of functional analysis and geometry. Besides structure theory of Banach spaces, which is the subject of this book, he has...(展开全部)

What happens to our conception of mind and rational agency when we take seriously future-directed intentions and plans and their roles as inputs into further practical reasoning? The author's initial efforts in responding to this question resulted in a series of papers that he wrote during the early 1980s. In this book, Bratman develops further some of the main themes of these ...(展开全部)

Gilles Deleuze was arguably the twentieth century's most spatial philosopher - not only did he contribute a plethora of new concepts to engage space, space was his very means of doing philosophy. He said everything takes place on a plane of immanence, envisaging a vast desert-like space populated by concepts moving about like nomads. Deleuze made philosophy spatial and gave us ...(展开全部)

点击链接进入中文版： 建筑师的大脑:神经科学、创造性和建筑学

点击链接进入中文版： 建筑师的大脑:神经科学、创造性和建筑学

Film noir remains one of the most enduring legacies of 1940s and ’50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity—particularly the urban landscape. The ...(展开全部)

Film noir remains one of the most enduring legacies of 1940s and ’50s Hollywood. Populated by double-crossing, unsavory characters, this pioneering film style explored a shadow side of American life during a period of tremendous prosperity and optimism. Edward Dimendberg compellingly demonstrates how film noir is preoccupied with modernity—particularly the urban landscape. The ...(展开全部)